Big Blue 2020!


by John A. Wilcox

If you talk to me for more than 10 minutes, you know that I love comic books and impossibly huge breasts. Beyond gigantic! Imagine my delight to discover Big Blue! Created by writer Mase Corgan with line art by Mariano Navarro and color art by Hernan Cabrera, the book is fast-moving, breezy, sexy fun! I sat down on a stack of big boob magazines and Corgan filled me in on all things Big Blue...



PS: What inspired this project?

MC: If you look at my work you'll see that I don't just write stories where the bold beauties are blessed with big bazooms, but the story is ABOUT gigantic juggs. In other words, I never take a stock story and arbitrarily attach abundant air-bags to the characters. With all the stacked super-heroines, I wanted to do story where the heroine's hooters ARE her super power. I started thinking of heroic feats you could perform with boobs, and corresponding atrocious acts that the villains could do. A woman slapping someone around with her breasts is funny and erotic, so I knew I had a winner.

PS: Why is she blue?

MC: I wanted it to be obvious that she is an alien. I considered Star Trek-like scales, ridges and stuff, but I needed something simple or the artwork would look too busy. I also didn't want to distract from her beauty (without the big boobs she's still hot, if you ask me).

I was worried that it was TOO simple, but then Hernan colored her so she has a sheen on her skin that makes her look rubbery. This ended being the perfect look. If she had realistic human color and texture to her skin, I don't think it would be as good. This preposterous premise is slightly more believable if Yaelin has an elastic body, and a dark color like blue provides contrast to the highlights.

This has the added bonus that latex-fetishists thinks he's in a blue, skin-type suit and hopefully they buy the issue before they realize that she's just nude. NO REFUNDS!

PS: Why is she named Yaelin?

MC: I like Yael from the bible because she killed a dictator with a tent-pole and mallet. Talk about bad-ass!



PS: How much of the readership are women?

MC: Well, statistics and other head-ache inducing disciplines are the bailiwick of my grand-daughter and office manager Dottie. We don't have data on every reader, but of all the readers we can account for 10% have recognizably female-gendered names ( I guess that means that they have a girl's name). That doesn't tell you much since most of our readers have an internet name that looks like the cat walked on the keyboard.

Dottie also says that, of the people who talk to me on social media or send me e-mails, a third of them identify as women.

I always write my work with the female audience in mind. Sure, I write with, what did she call it, the Male Gaze in mind, but I think about what women like to see which includes powerful female protagonists, a good story over-all, an erotic situation where a woman is receiving pleasure, and occasionally some hunky men (well, MOST women like to see that).

And, of course, we have readers who are lesbians and, I guess, drool over gigantic juggs same as yours truly.

PS: When did you first become fascinated by beyond huge incredibly wonderful awesome breasts?

MC: Around the age of thirteen, I noticed that big boobs gave me a strange feeling. It was at the same time that big boob magazines started coming out. I read Jut, Cantilever, and Quiver, which became Quaver following a lawsuit from an archery publication.

A few years later, I got a date with Tisiphone Tobias who (and I have yearbook photographs to prove this) went from a training bra to M-Cup in two months. While Tiffy (as she was called) was a chaste and reserved woman I guess she was anxious to try out the new equipment and things got hot and heavy. Unfortunately, she hit me on the head pretty hard with her left breast (just my luck - the heavier one) and I don't remember any of it. She told me that it was one of the greatest moments of her life and that since we could never possibly recreate it (something about lightning in a bottle) we should just be friends. Oh well, I still had my stack of Quavers.

It was about then that I got a job with my uncle Mason writing big boob comics for him and the rest is history (note, some of the original Big Blue artwork from 1962 is reprinted in the Bonus Art section of the graphic novel).



PS: While Big Blue certainly has sex it doesn't feel sexually driven. What led to that choice?

MC: I liked that idea that big boobs, which are almost universally associated with sexuality and arousal, are presented in an asexual context. Since Yaelin and her fellow females featuring formidable flesh-bombs are oblivious to their sexual appeal, it's strangely erotic. It's like the scene in Splash when Daryl Hannah is walking around nude; it's more sexy because her character doesn't understand erotic nudity. The asexuality of the alien characters is a necessary plot device for reasons I won't give here so as not to spoil any surprises.

Also, as I was writing and the story got better and better in a mainstream narrative way, and it seemed counter-productive to have gang-bangs and bukkake in it (although there is plenty in my other work).

Don't worry! Some of the deleted sex scenes were included in the Bonus Art section of the complete graphic novel. Malaysian Maestro of Massive Melons Scarlett Ann drew some of these scenes and they look great!

PS: How did you initially hook up with the artists on the project?

MC: I found out about the BE (Breast Expansion) Story Club when I found a book written by Mariano and Hernan and thought that their work was great. The art in general was great but they drew beautiful women and they had a knack for creating impossibly busty women that didn't look like they had two spheres on their chest. Mariano's anatomy is exemplary and drawing unrealistic anatomy really requires you to come from that starting point.

You'll notice that, whether they have big boobs or not, the women are all attractive in a kind of unusual way. They are not women that you would see in Playboy; they are hot by virtue of their ordinariness. This is what I strive for in my artwork. One thing that drives me crazy is when an artist draws all women with the same face and same body.

When I started working at BE Story Club, I kept lobbying to have my scripts drawn by them, but to no avail. When I decided to self publish Big Blue I contacted them, they loved the idea, we worked out a mutually beneficial deal and I was ecstatic to have them on board. The book wouldn't be as good without them.



PS: How much, if at all, did the art team influence your script choices?

MC: For long form work, I write the entire script before I publish the first chapter, so there wasn't a lot to change. They mainly stopped me from doing sexy stuff that didn't fit the internal logic of the story. For example, I had the Acolytes (a group of evil big boob fighters in chapter 5) topless and bottomless and they talked me into having them wear g-strings because it didn't make sense for them to be nude, no matter how sexy that would have been.

Mariano had a big effect on the flow of the story because he pretty much decided the panel lay-out. I did the panel lay-out, and Mariano basically ignored it, not out of spite, but because he had better ideas.

PS: How does Tara fit into the picture and how (if at all) does her psyche differ from Yaelin's?

MC: Tara is the physical opposite of Yaelin, skinny flat-chested and pale. I don't want to give away any surprises, otherwise I'd answer. If this is printed following a ***SPOILER ALERT***: I'd say that Yaelin and Tara have the same psyche and they are the same person, but Tara's humanity (specifically her sexuality) starts to assert itself and that's when she becomes a different person.



PS: Looking at the original design on Tara, she looked more like a flat-chested Yaelin than a substantially different persona. Was that the point behind the change?

MC: I thought the original Tara was so much of a generic pretty woman with a pointy chin, big eyes and full bodied hair. I wanted her to look like, as I said, a woman who is hot by virtue of her ordinariness. ***SPOILER ALERT***: making her a small Yaelin would compromise her secret identity.

PS: What purpose does Renato serve within the tale? I could be incorrect but in a way he strikes me as the reader's point of view.

MC: I definitely wanted some romantic love so I gave Tara and Yaelin a boyfriend (perhaps sparking a love triangle). He became the stand-in for the reader as all this outer space, big boob insanity is just as strange to him as it is to the reader. He often speaks for the reader, especially when he has an angry reaction to the physically impossible and otherwise ridiculous events.

PS: Give us some background on Saino.

MC: First I'll have to write some. Seriously, I wanted to break up the big boob extravaganza with a flat-chested villain. I briefly explain that she is from a sister species, whatever that means. I expect that in sequels there will be other aliens who have different breast related powers (although I return the focus to big breasts).

PS: Have you mapped out a sequel yet?

MC: No. My next project is about a different set of characters. It will be about three busty sisters who run a large company and have sexual escapades on the way. You'll be the first to hear about it.

I probably won't do another Big Blue until Mariano and Hernan are free. Right now they are tied up on a horror/satire book called Von Bach. Maybe I'm next in line?

As for the Big Blue sequel, I have a lot of ideas. I just need pick one. It will probably be titled Big Blue: Heroic Hooters.



PS: How has the overall reception been?

MC: It seems like the only people who don't like it are people who haven't read it, and if anyone read it and hated it, they are not communicating with me. All the feedback is VERY positive. It's mostly breast fetishists who talk to me and they LOVE it and use all the superlatives when praising me. People who don't particularly care about big boobs also like it just for the story and the humor. Now I just need more people to buy it.

PS: Have you gotten any feedback at all from any ginormously-breasted fans out there yet?

MC: Yes. Some busty cam-girls have touted in on Twitter, which is pretty cool. I've gotten messages from people who claim to be ladies with ludicrously large lungs, but until I get a picture, I'm not believing it. Anyone with fulsome floppies who works as a sex performer, contact me and I'll plug your work on the CyberMase Twitter feed.

PS: Where can people buy Big Blue? Furnish all links!

MC:

The CyberMase Storefront

ComiXology

Kindle

And the new print-edition paperback: Amazon

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